After a long hiatus from filming routines, Craze has delivered a performance showcasing the new Rane SEVENTY mixer. The world champion turntablist’s “Still Got It” routine makes fun of annoying requesters while demonstrating the capabilities of the two-channel battle mixer.
Watch the routine above and stay tuned for more info about the Rane SEVENTY.
Spyda also shared his approach to negotiating contracts for his music production, and why he prefers FL Studio over Ableton.
Watch an excerpt of this week’s interview above and the full episode here.
Related Post: Watch SpydaT.E.K’s ‘MikiDz Show’ Set
Craze at Q Nightclub in Seattle. (Credit: Robee Aquino)
Two weeks ago, Reflections of a DJ a.k.a. the R.O.A.D. Podcast had A-Trak and Roctakon on the show to discuss their recent Twitter debate. This week, the show sat down with Craze, who also took part in the argument.
At one point, co-host DJ Crooked asked Craze how he goes about planning his sets. Craze revealed that he didn’t plan his sets until he started working with Zack.
Watch an excerpt below and the full episode here.
From left to right: Craze, DJ EFN, DJ Jazzy Jeff, N.O.R.E., A-Trak (Source: Instagram)
Watch the full show below. (A-Trak and Craze come on at the 52-minute mark.)
2¢ performs at the Red Bull 3Style World Final in Kraków, Poland on Feb. 12, 2018. (Photo credit: Kin Marcin/Red Bull)
Like previous installments, part four features hip-hop and bass music intertwined with turntablism, and political and industry commentary.
“There’s a lot happening in the world,” the mix’s description on SoundCloud says. “Get involved in the conversation, repost and share.”
Listen or download below.
On Tuesday, the Boiler Room London hosted Craze, a three-time DMC World Champion, and Jon1st, the 2013 DMC Online World Champion. The event, which was their debut on the show, was intended to put a spotlight on the art of turntablism.
Jon1st opened with an hour of drum and bass and glitch-heavy tracks, while Craze dropped an hour of hip-hop and bass music, including his usual critique of modern DJ culture.
Watch both of their performances above (Craze’s begins around the 1:01:10 mark).
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