Anthony
Jimmy Iovine Recalls Hearing Dr. Dre for the First Time
Jimmy Iovine with Pharrell and Scott Vener. (Photo source: Instagram)
Music mogul Jimmy Iovine has been making the rounds to promote his upcoming documentary on HBO, The Defiant Ones. The four-part series, which premieres July 9, tells his and Dr. Dre‘s stories and 20-year-plus partnership.
During a recent interview on Pharrell and Scott Vener’s show on Beats 1 Radio, Jimmy recalled hearing Dre’s music for the first time.
“When I met Dre, and I heard his music on my speakers, it was like when I first heard Phil Spector. … It just sounded like nothing I’d ever heard before. It sounded like it was gonna affect every record that ever came out, including rock music, and I knew nothing about hip-hop. But I just felt it at that moment and I said, ‘This guy will define Interscope.'”
Jimmy admitted he wasn’t a fan of hip-hop at the time, but Dre changed that.
“The bottom end [of hip-hop records] was a mess; I know they were trying to do it on purpose or something. There were 808s, and none of it was making any sense to me. Dre used all that stuff, but he made it sound like Pink Floyd was doing it. And I was like, ‘Okay, this is something special.’ It was different from everything else.”
It wasn’t just Dre’s sonic ability that impressed Jimmy, though. The executive said he saw similarities between the Compton producer and The Rolling Stones.
“I heard [The Chronic], and then I started to understand who these guys were and what they were doing and how much they reminded me of The Rolling Stones. Because the Rolling Stones, when I was a kid, they’d scare you, but they’d bring you in with their music. Their music was so cool that they’d lure you in but what they were doing was their form of anarchy in those days, you know. Snoop and Dre reminded me of Mick [Jagger] and Keith [Richards].”
Among other topics, Jimmy also criticized how the music industry has handled the digital revolution.
Watch him discuss Dre:
Watch him discuss the industry:
Related: Jimmy Iovine Recounts His Early Days as an Engineer and Producer, Launching Interscope
KidCutUp: Must-Have Items in My DJ Bag
If you’re a subscriber to DJcity’s record pool, chances are you’ve seen KidCutUp‘s bootlegs, edits, and remixes. The Wisconsin native’s tracks regularly make it on DJcity’s Top 50 chart and have been supported by everyone from Diplo and DJ Khaled to Vice and Z-Trip. Now based in Los Angeles, CutUp currently holds it down at The Dime and Harlowe Bar on Mondays and Thursdays, respectively. He also gigs a lot in the Midwest. Last weekend, he opened up for Pink at Milwaukee’s Summerfest in front of a 25,000-strong crowd.
Check out his must-have travel items below.
1/8″ to RCA Cable
“You never know when you’ll have to plug in your phone for a laptop switchover or because of a sound issue. And if a venue has all the wrong gear, I can DJ a set off my phone if necessary. I never want to be unable to rock!”
Backstage Pass Lanyard
“Sometimes you get a laminated pass that’s just loose. Other times you need to look official without explaining to every security guy that you are official. Having a stack of passes around your neck can help.”
“I carry a small light with a hook and magnet on it to attach to it things or position it in the booth. Being able to see the knobs and faders on the mixer is essential especially if the lights in the booth are moving around as much as they are on the dance floor.”
Backup Hard Drive or Flash Drive
“If my laptop goes down, I can plug in my backup drive into any available computer and make the show happen. If you don’t play the show, you don’t get the money. Don’t let that happen to you!”
“Stay fresh.”
Follow KidCutUp on Facebook, Instagram, SoundCloud, and Twitter.
Vlogging Tips for DJs
Vlogging, a.k.a. video blogging, is a great way to connect with fans and build your brand. And for DJs who already make the most of Snapchat and Instagram stories, vlogging is a natural progression.
To learn more about the medium, Mojaxx spoke with the USA’s Swiftstyle, who runs a popular turntablism vlog, and DJ Stylus, who recently launched a channel about all things DJing. The two discussed why they started vlogging, their preferred equipment, and provided some tips for starting a vlog.
Related: Review: Scratch Toys Sound Plate for Numark PT01 Scratch Portable Turntable
Mark Cutz Scratches Over Logic’s ‘Everybody’
Dallas DJ and turntablist Mark Cutz, formerly DJ Flashh, scratches over Logic‘s 2017 single “Everybody” in a routine for DJcityTV.
Cutz is a mixer on Dallas’ 106.1 KISS FM, Austin’s 96.7 KISS FM, and the nationally syndicated Kidd Kraddick Morning Show. He’s also a member of the Radio DJs crew.
Follow Mark Cutz on Facebook, Instagram, Mixcloud, SoundCloud, and Twitter
MAKJ Remixes Joan Jett’s ‘I Love Rock ‘N’ Roll’: Exclusive
MAKJ at Club Glow at Soundcheck in Washington, D.C. on March 30, 2017. (Photo source: Facebook)
MAKJ has an excellent track record on DJcity. The majority of his releases have made the daily Hot Box chart, many of which have also appeared on the monthly Top 50.
His latest offering, a throwback-style remix of Joan Jett’s 1982 anthem, “I Love Rock ‘N’ Roll,” is likely to do the same. The track features moombahton and twerk influences and a prominent Jay-Z sample.
“I love the idea of blending genres,” MAK tells us. “I’ve always done it in my sets, and I wanted to make something I could play live, hence the idea of mixing Joan Jett with Jay-Z. They say opposites attract.”
Preview the remix below and download it exclusively on DJcity.
Follow MAKJ on Facebook, Instagram, SoundCloud, and Twitter.
First Look: W Hotels’ New Music Studio in Hollywood
In early June, W Hotels Worldwide unveiled a music studio and writers room at its Hollywood location. The “Sound Suite” as its called, is part of an initiative to facilitate creativity among hotel guests and local musicians.
The studio is the brainchild of W Hotels’ North American music director, White Shadow, who’s best known for being Lady Gaga‘s DJ and producer. It provides hotel customers and local artists with an easy and comfortable way to write and record.
The W Hollywood isn’t the only location with a Sound Suite, though. The company recently launched studios in Seattle, Bali, and Barcelona, and there are plans to roll out more.
Like many great ideas, the Sound Suite came out of necessity.
After traveling with Lady Gaga on her Born This Way tour, White Shadow realized there needed to be an easier way for artists to record while on the road.
“It was inconvenient and costly to rent a studio in every city,” he tells us “So we put a studio in a flight case and set it up in our hotel rooms. But it takes a while to set up, and you’ve got people banging on the door if you’re making noise above a certain level.”
A couple of years later, White Shadow approached W Hotels about adding studios to their locations so that guests could use them.
“The W brand is super passionate about music,” He says. “It’s a big part of their DNA.”
“I knew that the studio would fit because they were willing to take a risk that I’ve never seen another big brand take. There wasn’t a 45-page case study about how to get a return on investment. It was like, ‘How do we come up with an idea and make everybody feel good?'”
While the Sound Suites are equipped with the best available technology, they’re smaller than traditional studios.
“We didn’t want to overdo it because studios are moving into smaller and smaller spots,” White Shadow explains. “You can sit in your room with a laptop and your headphones on.”
A smaller space is also more affordable and easier to use.
“I wanted up-and-coming artists to be able to use it and feel like they’re in an incredible studio in an incredible hotel,” he says. “We’re still trying to work out the kinks, but it will be available to customers at a special rate.”
Native Instruments Komplete Kontrol S49 and Maschine Jam
The studio isn’t limited to guests, though.
“We’re going to do artist-in-residence programs,” White Shadow adds. “We’re also going to host special events for things that we think are cool and Native Instruments is going to do product showcases here.”
Of course, White Shadow is one of those artists.
“I’ve been recording in here non-stop for the first three weeks to make sure everything is on par,” he says. “We’ve done really good sessions in here already, and we didn’t have to go out of our way to create a vibe. The vibe was already here.”
Words by Anthony Polis and photos by Julian Melanson.
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