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Houston’s DJ Playboy Delivers Open-Format Mix for the DJcity Podcast
DJ Playboy performing at Union Square in Fort Worth, Texas. (Michael Bush)
This week’s DJcity Podcast is mixed by our Houston ambassador, DJ Playboy. His 30-minute set is the epitome of an open-format mix, as it contains tracks from multiple genres and decades. Stream and download it below, and follow DJcity Texas on Twitter.
Tracklist:
2. Martin Solveig & GTA – Intoxicated
3. Lil Jon ft. Tyga – Bend Ova – Kronic, Dimatik, & Krunk Remix
4. Pitbull ft. Ne-Yo – Time Of Our Lives
5. Aretha Franklin – Respect – twoshoes Edit
6. Marvin Gaye & Tammi Terrell – Ain’t No Mountain High Enough
7. Four Tops – I Can’t Help Myself (Sugar Pie, Honey Bunch)
8. The Sugarhill Gang – Apache – Kastra 2015 Bootleg
9. Yeah Yeah Yeahs – Heads Will Roll – Myca Sax Bootleg
10. Ty Dolla $ign ft. Charli XCX & Tinashe – Drop That Kitty – Joey Funk 128-106 Transition
11. Nicki Minaj ft. Drake & Lil Wayne – Truffle Butter
12. Beyonce ft. Jay Z – Crazy In Love – Acapella
13. K7 – Move It Like This
14. Rupee – Tempted To Touch
15. Sasha ft. Fatman Scoop – Dat Sexy Body – Anthem Kingz Twerk Remix
16. Shaggy – Boombastic – Johnny Roxx & CRVFTSMEN Remix
17. Damian Marley – Welcome To Jamrock
18. Flo Rida ft. Sage The Gemini – GDFR – Instrumental
19. Ludacris – How Low – Acapella
20. Flo Rida ft. Sage The Gemini – GDFR
21. Ne-Yo ft. Juicy J – She Knows – CRVFTSMEN Remix
22. Busta Rhymes – Break Ya Neck
23. Grandtheft & Keys N Krates – Keep It 100
24. DJ Khaled ft. T-Pain & Ludacris – All I Do Is Win – Made Monster Remix
Follow DJ Playboy: Facebook | Instagram | Twitter
DJcity’s weekly podcast features the latest club music mixed by its team and guest DJs. Previous mixers include Vice, Dave Fogg, Spider, Reflex, Epic Twelve, Steve1der and Yonny. The 30-minute podcast is available every Tuesday on iTunes and Mixcloud.
Related: Dainjazone Delivers 40 Minutes of Future Bass for the DJcity Podcast
Why Jay Z Launched His Own Streaming Service
Jay Z relaunched his newly-acquired Tidal music streaming service on Monday with help from some of the world’s biggest musicians. Artists such as Kanye West, Nicki Minaj, Beyoncé, Rihanna, Calvin Harris, Daft Punk, Jack White, and Coldplay reportedly own an equal share of the company.
The ambitious project has raised eyebrows, with many wondering how Tidal can compete with behemoths like Spotify and the soon-to-relaunch Beats Music. After all, Spotify has 15 million paid subscribers, and Beats has Apple, Dr. Dre and Jimmy Iovine behind it.
However, Jay explained in a recent interview with Billboard that his motives for the relaunch are not solely financial. It turns out that the multi-millionaire rapper has a bigger mission in mind. Here’s what we learned:
He believes music is undervalued.
“Imagine your life without music. It’s a very valuable part of your life, and like I said, that’s why we got in this business. It seems to be going the other way. People are not respecting the music, and [are] devaluing it and devaluing what it really means. People really feel like music is free, but will pay $6 for water. You can drink water free out of the tap, and it’s good water. But they’re OK paying for it. It’s just the mind-set right now.”
He wants writers and producers, not just artists, to be successful.
“For someone like me, I can go on tour. But what about the people working on the record, the content creators and not just the artists? If they’re not being compensated properly, then I think we’ll lose some writers and producers and people like that who depend on fair trade. Some would probably have to take another job, and I think we’ll lose some great writers in the process. Is it fair? No … I’m just saying the producers and people who work on music are getting left out — that’s when it starts getting criminal. It’s like you’re working hard and you’re not receiving. In any other business people would be standing before Congress. They have antitrust laws against this kind of behavior. It almost seems like when it applies to music no one really cares who’s cheated. It’s so disorganized; it’s so disconnected from reality.”
He says that Tidal allows artists to be more creative.
“I know this is going to sound crazy, but maybe [artists] start attempting to make a ‘Like a Rolling Stone,’ you know, a song that doesn’t have a recognizable hook, but is still considered one of the greatest songs of all time, the freedom that this platform will allow art to flourish here. And we’re encouraging people to put it in any format they like. It doesn’t have to be three minutes and 30 seconds. What if it’s a minute and 17, what if it’s 11; you know, just break format. What if it’s just four minutes of just music and then you start rapping?”
He needs independence.
“We talked to every single service and we explored all the options, including creating a white label with a service. But at the end of the day we figured if we’re going to shape this thing the way we see it then we need to have independence. And that became a better proposition for us — not an easier one, mind you.”
However, he believes Tidal and Beats can both be successful.
“My thing with Jimmy is, ‘Listen, Jimmy; you’re Jimmy Iovine, and you’re Apple, and truthfully, you’re great. You guys are going to do great things with Beats, but … you know, I don’t have to lose in order for you guys to win, and let’s just remember that.’ Again, I’m not angry. I actually told him, ‘Yo, you should be helping me. This is for the artist. These are people that you supported your whole life. You know, this is good.'”
He says that artists will make more money from Tidal than Spotify.
“Will artists make more money? Even if it means less profit for our bottom line, absolutely. That’s easy for us. We can do that. Less profit for our bottom line, more money for the artist; fantastic. Let’s do that today.”
Related: Indie Artists & Labels Offer Streaming on Their Own Terms
Native Instruments Unveils New Audio Format
Native Instruments has unveiled a new file format that enables DJs, producers, and live performers to mix with a track’s different musical elements. The format, which is called “Stems,” was announced at Miami’s Winter Music Conference on Friday.
Their press release says:
“A Stem file allows DJs and live performers to interact with different musical elements of a track independently by accessing four different ‘stem’ parts such as the bass, drums, melody, or vocals. This type of mixing introduces new performance possibilities and enriches the listening experience for music lovers. As a premium file format, Stems can also create new revenue streams for music labels and online retailers to grow their business. Developed by software and hardware DSP specialists Native Instruments, Stems is an open file format designed to benefit the entire music industry.”
Stems is open format, which means anyone will be able to create, perform with, and distribute them. Producers, DJs, and labels will be able to author their own Stem files using a free standalone application. Additionally, developers will have full access to format specifications and code examples so they can integrate Stem support into their products.
Select artists, labels, production companies and Native Instruments will begin supporting Stems in coming months. A website containing all technical specifications, source code, tutorials, and downloads will launch in June.
Here’s what some DJs have said about Stems so far:
DJ Craze
“The Stems format is very exciting to me because I come from the generation where records have 1/Instrumental/Acapella and Dubapellas, so now I’ll be able to get way more creative with my sets and have fun combining elements from tunes I like.”
MK
“Stems is just what the industry needed. It will change the way music is mixed down from a producer’s standpoint. It will make producers think more about what they are actually doing when they make music for DJs to play.”
Related: An Inside Look at Native Instruments’ Los Angeles Office
Ultra Music Festival 2015 Live Sets
Photo by George Martinez
Those who weren’t able to attend or live stream this year’s Ultra Music Festival can now watch full sets from many of the artists (see below). We’ll be updating this page throughout the day as more videos get uploaded.
Oliver Heldens
Afrojack
MAKJ
DJ Snake
Hardwell
Jack U
Martin Garrix
Laidback Luke
Skrillex
Tchami
Axwell Λ Ingrosso
Related: The Chainsmokers Live at Ultra Music Festival 2014
Watch Martin Garrix’s Set From Ultra 2015
One of the most talked about performances at this year’s Ultra Music Festival has been Martin Garrix’s on Saturday night. The 18-year-old’s main stage set featured a surprise guest appearance from Usher, who performed his new collaboration with Garrix, “Don’t Look Down.” In addition to playing some of his biggest tracks, Garrix also debuted unreleased collaborations with Oliver Heldens, Avicii, and Tiësto. Watch the full hour-long set below.
View the unofficial tracklist here.
Related: Martin Garrix Releases Second Part of Documentary
Joey Bada$$ Freestyles Over Snoop Dogg’s ‘The Shiznit’ and D’Angelo’s ‘Devil’s Pie’
New York rapper Joey Bada$$ recently stopped by the L.A. Leakers show on Power 106 and dropped a freestyle. Watch above as the Brooklyn spitter goes in with two classic beats: D’Angelo’s “Devil’s Pie” (co-produced by DJ Premier) and Snoop Dogg’s “The Shiznit” (produced by Dr. Dre).
Related: Kendrick Lamar Freestyles over Notorious B.I.G. Beats
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