‘R.O.A.D. Podcast’: Joe Maz and Jonathan Shecter Debate the Effectiveness of Wearing Masks

R.O.A.D. Podcast

On this week’s episode of the R.O.A.D. Podcast, the crew hosted a political debate between DiscoTech‘s Joe Maz and The Source co-founder Jonathan Shecter. The two guests shared their different opinions on the election, lockdown, masks, pandemic, vaccine, and more.

Disclaimer: Some of the views and opinions expressed in this episode of the R.O.A.D. Podcast do not reflect or represent the views and opinions of its hosts or DJcity. Also, some of the information that was referenced in this episode has been debunked and disproven by science, facts, and peer-reviewed research. We encourage all our listeners to do their own research on these topics from reputable sources.

Watch an excerpt above and the full interview here.

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Related Post: ‘R.O.A.D. Podcast’: Are DJ Careers Now Becoming Side Hustles?

‘R.O.A.D. Podcast’: Joe Maz and Konflikt on Releasing New Music During the Quarantine

R.O.A.D. Podcast

On last week’s episode of the R.O.A.D. Podcast, the crew spoke to DiscoTech‘s Joe Maz and Konflikt. The former Miami DJ/producer duo questioned whether it is a good idea for artists to release new music during the Coronavirus lockdown.

Joe Maz also broke down his approach to creating “big room” remixes.

Watch an excerpt above and the full episode here.

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Related Post: ‘R.O.A.D. Podcast’: DJ Franzen on DJing Afterparty Events for Drake

DJcity Premiere: DiscoTech Drops Two Remixes of 99 Souls’ ‘The Girl Is Mine’

With its samples of Destiny Childs’ “Girl” and Brandy’s “The Boy Is Mine,” 99 Souls’ funky house track “The Girl is Mine” is a favorite among DJs. The latest to remix the single is none other than DiscoTech, who just released 105 BPM “Midnight” and 125 BPM “2AM” versions.
Stream them below and download them on DJcity.
[djc url=http://www.djcity.com/digital/99-souls-the-girl-is-mine-discotech-midnight-remix—51434.htm]

[djc url=http://www.djcity.com/digital/99-souls-the-girl-is-mine-discotech-2am-remix—51435.htm]

Related: Adele’s ‘When We Were Young’ Gets House Remix From DiscoTech

Adele’s ‘When We Were Young’ Gets House Remix From DiscoTech

After dropping a “Midnight” remix of Adele’sWhen We Were Young” last week, DiscoTech has returned with a “2AM” version of the track. The duo’s 128 BPM rework is an upbeat, house remix of the singer’s ballad.
“When We Were Young” is Adele’s second single from her third album, 25. Although it’s not yet as popular as “Hello,” the song has charted on Billboard’s Hot 100 for nine weeks, peaking at number 22.
Stream DiscoTech’s remix below and download it on DJcity.
[djc url=http://www.djcity.com/digital/adele-when-we-were-young-discotech-2am-remix—50907.htm]

Related: Our Top 5 Favorite Remixes of Adele’s ‘Hello’

A-Trak’s ‘Heads Will Roll’ Remix Gets Flipped by DiscoTech

DiscoTech is back with another solid offering, and this time it’s an update to A-Trak’s “Heads Will Roll” remix (the original was by the Yeah Yeah Yeahs).
The Miami duo’s rework builds off of A-Trak’s much-loved version by giving it a modern touch, including a trap breakdown. It has received blessings from the Fool’s Gold chief himself, who recently played it at one of his shows.
Stream DiscoTech’s remix above and download it on DJcity.
Related: DJ ND’s ‘Heads Will Roll’ Festival Routine

DiscoTech Drops Future House Remix of Nathan Sykes’ ‘Kiss Me Quick’

DiscoTech wasn’t messing around when they announced that they were relaunching last July. The Miami-based DJ/producer duo has since gone on to release over a dozen high-caliber remixes, fourteen of which have been added to DJcity. Of those fourteen, four of them have made DJcity’s monthly top 50 chart.
Showing no signs of slowing, DiscoTech’s Joe Maz and Konflikt continue their momentum with a future house flip of Nathan Sykes’ “Kiss Me Quick.” The duo’s rework of the former Wanted singer’s solo debut is further proof that they’re one of the most consistent remix duos in the game.
Stream it above and download it here.
Related: DiscoTech Drops Remix of The Knocks’ ‘Classic’