News

Review: Roland DJ-505 and DJ-202 Controllers

Tips and Tricks

In 2017, Mojaxx reviewed Roland’s flagship DJ controller, the DJ-808. Now, he takes a look at the company’s more affordable options: the DJ-505 and DJ-202. Both devices are all-in-one controllers that are designed to work with Serato DJ. And like the DJ-808, they both include the AIRA technology.

Watch Mo’s review above.

Related: Review: Roland DJ-808 Controller

Watch Rae Sremmurd’s ‘Guatemala’ Video

Rae Sremmurd

Rae Sremmurd has shared the video for their summer-friendly single, “Guatemala.” The track was one of DJcity’s most-downloaded songs of April.

In the fitting visual, Swae Lee and Slim Jxmmi travel to Guatemala to take in the sights, sounds, and people of the beautiful country.

The opening credits note that the video was shot a month before a deadly volcano eruption hit Guatemala. In a touching gesture, Swae tweeted out on Thursday that all proceeds from the visual will be donated towards relief efforts. Interscope will also donate $10,000 USD to the American Red Cross on behalf of itself, EarDrumma Records, and Rae Sremmurd.

Released in April, “Guatemala” serves as a single from Rae Sremmurd’s triple album, SR3MM.

Watch the video above and download “Guatemala” on DJcity.

Related: Watch Rae Sremmurd’s ‘CLOSE’ Video Feat. Travis Scott

Kennedy Jones Remixes Post Malone’s ‘Better Now’: DJcity Premiere

Kennedy Jones
Kennedy Jones at OV Club in Winnipeg, Canada. (Source: Facebook)

California DJ/producer Kennedy Jones has supercharged Post Malone‘s hit “Better Now” with a high-energy dubstep remix. Jones’ version combines sections of the original track with new build-ups and drops.

“Better Now” appears on Post’s second studio album, Beerbongs & Bentleys. It was DJcity’s ninth most downloaded track of May, and is currently No. 20 on Billboard’s Hot 100 chart, having peaked at 7.

Preview Jones’ remix below and download it first on DJcity.

A post shared by DJcity (@djcity) on

Follow Kennedy Jones on Facebook, Instagram, SoundCloud, and Twitter.

Related: Kennedy Jones Drops Remix of Cardi B’s ‘Bartier Cardi’: DJcity Premiere

Watch Michael Brun Explain How He Produced His J Balvin Collab, ‘Positivo’

Michael Brun

Haitian DJ/producer Michael Brun has broken down how he made his J Balvin-assisted single “Positivo” on a new episode of Genius’ Deconstructed. The track is the 2018 FIFA World Cup theme song for American Spanish-language TV network Telemundo.

In the video, Brun recalls how he and Balvin connected then breaks down the track in Ableton.

“The instruments, the rhythm, the energy. It’s all very distinctly Haitian,” Brun says. “This track captures, I think, the essence of what the streets in Haiti sound like.”

Released in May, “Positivo” has amassed over seven million streams on Spotify and more than 10 million views on YouTube. Brun originally released the song in February as a single titled “Bayo” featuring fellow Haitians Strong G, Baky, and J. Perry.

Watch Deconstructed above.

Related: Watch CBMIX Explain How He Produced Lil Pump’s ‘Esskeetit’

DJcity’s Spotify Playlist Update: June 19

RL Grime
RL Grime at Spire in Houston. (Credit: Julian Bajsel)

DJcity’s Spotify playlist update for the week of June 19:

2 Chainz ft. Drake & Quavo – Bigger Than You
Baka Not Nice – Junior High
Chromeo ft. French Montana & Stefflon Don – Don’t Sleep
Nicki Minaj ft. Lil Wayne – Rich Sex
RL Grime ft. Jeremih & Tory Lanez – Undo
Rudimental & Major Lazer ft. Anne-Marie & Mr Eazi – Let Me Live
Tory Lanez & Ozuna – Pa Mi

Stream the entire playlist below or from within Spotify.

Related: DJcity’s Spotify Playlist Update: June 12

How DJ Tessa Is Empowering Female DJs With Her Agency, Prism DJs


DJ Tessa performs at the LA Food Bowl. (Credit: Matthew Withers)

In an industry that is still predominantly run by men, Tessa Young a.k.a. DJ Tessa is pushing boundaries for female DJs. While DJing in Los Angeles in the early 2010s, the Reno, Nevada native noticed that booking agencies had few women on their rosters. With years of DJ experience, connections, and a paralegal background, Tessa launched Prism DJs, an all-female agency.

Launched in 2015, Prism books DJs for mostly mobile gigs such as corporate events, weddings, and other special and private events. The agency currently has 23 DJs on its roster, including Annalyze, ShanLynn, MissNINJA, and Frazier Davis. As the female DJ movement continues to rise, we caught up with Tessa to discuss Prism DJs, the challenges of running an all-female agency, what she looks for when signing new talent, and more.

Why do you think there is such a low number of women represented by DJ agencies?

I think there are just more male DJs than female DJs in general, so it was never going to be equal based on the ratio. But now, in a time when mixing and production lessons are more accessible, less intimidating, and our male counterparts are more supportive, I see more women genuinely interested in music production and DJing. In turn, more women will be added to these rosters eventually. We all need to make it a priority to level up creatively and skill-wise if we want to play on the same field.

How does Prism differ from other agencies?

Our DJs are talented, vetted, and have several years of experience. Also, I make it a priority to protect Prism’s DJs by being transparent, ensuring timely payments, handling riders, logistics, and securing, and enforcing contracts.

What are some of the unique skills required for being a mobile DJ versus a club or festival DJ?

Being a mobile DJ is definitely more labor intensive if you are setting up and breaking down your own gear. If there is a technical problem, you need to know how to fix it yourself. As a mobile DJ, especially for weddings and dance parties, the DJ needs to know how to read a crowd and select accordingly, be aware of energy levels, have knowledge of many genres, and span generations of music. Club and festival DJs might have the luxury of playing their own produced tracks or a curated set. Sometimes they get their own on-site audio technicians that standby to handle technical difficulties for them. They can have more freedom to play what they want or what they specialize in, rather than a mobile DJ that caters to the crowd.


Prism DJs at Serato’s studio in Los Angeles. (Source: Instagram)

What is the biggest challenge of running an all-female DJ agency?

The Los Angeles market is very competitive, whether you are male or female. There are so many amazing DJ options. In this social media-driven world we now live in, we need to market ourselves more sophisticatedly and creatively. Just being titled a “female DJ” or “female DJ agency” does not ensure work.

What do you look for when adding new talent to your roster?

I look for several things: above-average mixing skills, exceptional selection, vast knowledge of music genres, professionalism, and a positive attitude. I prefer that the DJs can jump on any gear with ease, including turntables, CDJs, controllers, and various mixers. DJs must also have more than two years of experience playing regularly in public. In the age of social media, it is also important for the DJ to have a good online image because clients are doing their own research to make sure that their DJ choice is a good brand match for their event.

What are your plans for the company and where do you see it going?

Prism DJs is still growing as an agency and brand, so I am continuing to work diligently on that. In the very near future, I would like Prism DJs to get more involved with the community and offer workshops to young, aspiring female DJs. Other than that, we’ll just see where this takes us!

Do you have any advice for someone who’s looking to start a DJ agency ?

If you have good eyes and ears for talent, along with marketing, management, and administrative skills, then you have all the necessary elements required for a successful agency. Go for it!

Follow DJ Tessa on Facebook, Instagram, and Twitter.

Follow Prism DJs on Facebook, Instagram, and Twitter.

Related: Las Vegas Talent Buyer Dave Fogg Gives Insight Into His Booking Process

Popular