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Enrique Iglesias Teams With Pitbull for New Single, ‘Move To Miami’
Enrique Iglesias performs at the Staples Center in Los Angeles on June 10, 2017. (Credit: Bernstein Associates)
Enrique Iglesias has teamed with Pitbull for a new moombahton-influenced single titled “Move To Miami.” The two icons have collaborated several times before, most notably on the 2010 smash hit “I Like It.”
Produced by J.R. Rotem, “Move To Miami” is Iglesias’ first English-language single since 2014’s “Bailando” featuring Sean Paul. It follows his Bad Bunny-assisted heater “El Baño,” which was released in January.
Pitbull has also been busy lately. Last week, he was featured on the official remix of DJ Kass‘ viral hit “Scooby Doo Pa Pa” and his latest single, “Roof On Fire,” dropped in April.
Stream “Move To Miami” below and download it on DJcity.
Related: Enrique Iglesias Drops New Single and Video, ‘El Bano’ Feat. Bad Bunny
Vice Talks All Things DJing in Epic ‘Reflections of a DJ’ Interview
Vice (Source: Instagram)
Legendary DJ/producer Vice recently sat down with the Reflections of a DJ podcast for an epic, three-hour conversation. The iconic DJ discussed the evolution of his career and the past and current state of the scene.
How seeing DJ AM perform at a Hollywood club inspired him to DJ in that scene:
“Right away I’m like, ‘What the f#ck is this? This is like a very crazy wedding set, but it’s still kinda cool.’ [He was playing] like the Joan Jetts and the Journeys. It’s all the basics. Chicago and all these records are playing but then JAY Z plays and [A] Tribe [Called Quest], and I’m like, ‘What the f#ck? How are all these people dancing to this? It was mind-blowing because I DJed so long in L.A., but I had never seen that side of L.A. … I was like, ‘Yo, this dude is on some next level sh#t, and he’s in a different world, and I wanna know about this. So that’s when I just started going to all those Hollywood clubs.”
Why he produces dance music instead of hip-hop:
“I would try and work with rappers and every rapper that I first wanted, I couldn’t afford because they’d all want crazy money to do a verse. And [the] second time, the sessions I got in with rappers, even though I’m in hip-hop, I felt out of place. I don’t smoke weed, I didn’t drink in the studio. I would try and vibe in certain sessions, and there was no-one that was exciting me. I want MCs; it’s so hard. I want Andre 3000 on a record. I couldn’t get him at the time. … And I honestly, truthfully, I didn’t have the hustle. I respect A-Trak so much because he goes out finds these rappers, and I’m like, ‘Who are these dudes? Where do you find them?’ … Also, as much as a lot of people don’t know, I’ve always been into dance, but more into dance like Erick Morillo, Roger Sanchez, Kenny Dope, real house music.”
How he reacted when the scene switched back to hip-hop from EDM:
“I felt like I was already on brand and it was a wedding. [It was] like the music has just shifted again and I know how to adapt. I know how to adapt to any moment. Even to this day, if someone throws me in a senior citizen party, I know how to adapt and start playing the room and play the music. For me, I’m always about the ride.”
DJing on the radio vs. DJing in the club:
“I always give props to radio DJs because all of us play in clubs and we’re out, and we’re rocking, and you feel the energy, and then you get thrown on radio, and you’re in a box, [a] little room. And at the time, Power [106] had like over a million listeners, and you’re like, ‘Go ahead and DJ with no reaction, no feedback, no vibe.'”
Listen to the entire convo below via SoundCloud, and stay tuned for new episodes every Wednesday. The podcast can also be found on iTunes.
Related: Watch DJ Vice and Entrepreneur Chris ‘Drama’ Pfaff Go on a Taco Run
Introducing the Grind Strip by DJ Woody
DJ Woody has launched the Grind Strip, a device that gets mounted onto the edge of a turntable platter to perform “grinding” scratch techniques.
The idea first started in 2004 as part of Woody’s concept plans for Vestax’s Controller One turntable, which he helped develop. Vestax didn’t end up using it, so Woody has now brought it to life.
Woody tells us how it works:
“If you swipe over the Grind Strip with part of your hand as you move the record, the movement will be broken up as so will the sound, like a fader click. For example, swiping over one button will break the sound into two parts (like a tear), swipe over two buttons and you get three sounds, three buttons give you four sounds and so on.
The more pressure you apply with the swipe, the more defined the sound. This all allows for some very intricate and controlled faderless scratches. And the beauty is that it’s all using just one hand, so you still have your fader hand free for extra fader clicks, cue points, mixer effects or whatever you like. There’s tons to be explored (if you’re as geeky as me!).”
The Grind Strip is available for preorder now on Woody’s Woodwurk Records website. It comes in two sizes, one for a 7″ and one for a 12″ platter, and retails at roughly $22 and $25 USD respectively, plus shipping.
Watch a demonstration below and stay tuned for a review by Mojaxx on Tips and Tricks.
Related: DJ Woody Scratches Over ‘BocaWoody’ Single, ‘Freeze’
Watch Calvin Harris and Dua Lipa’s ‘One Kiss’ Video
Calvin Harris and Dua Lipa have shared a retro-themed video for their summer-friendly house single, “One Kiss.” The track was the third most-downloaded song of April on DJcity.
In the visual, which was first released as an Apple Music exclusive, Harris appears as a stoic waiter serving Dua Lipa cocktails by the pool.
“One Kiss” currently sits at No. 1 on Billboard’s Hot Dance/Electronic Songs chart and No. 64 on the Hot 100. It also sits at No. 1 on Harris and Lipa’s native UK Official Singles Chart.
Watch the video above and download “One Kiss” on DJcity.
Related: Calvin Harris Talks New Single, New Musical Direction, and Thoughts on EDM
Review: ADAM Audio T Series Studio Monitors
German manufacturer ADAM Audio recently entered the affordable studio monitor market after years of making mostly mid- to high-end speakers. The company did it with their new
T Series range of studio monitors, which is comprised of the T5V and the T7V. Released in April, they were designed to compete directly with KRK’s Rokit series and Yamaha’s HS series.
But do they match up? And was ADAM Audio able to pack their award-winning sound into their budget-friendly line? Mojaxx certainly thinks so.
Watch his review of the T Series above on a new episode of Tips and Tricks.
Watch’s Nina Las Vegas’ Debut Boiler Room Set
Australian DJ/producer Nina Las Vegas recently made her debut on the Boiler Room. Her hour-long performance, which took place in Melbourne, Australia, featured an eclectic mix of forward-thinking club music.
In February, Nina served as a judge at the Red Bull Music 3Style World Finals VIII in Poland.
Watch her Boiler Room set above.
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