Videos
R.O.A.D. Podcast – WALSHY FIRE: On Major Lazor, Black Chiney, & ‘The Art Of Dancehall’
This week on @RoadPodcast, the crew sits down with @WalshyFire — DJ, producer, and member of @MajorLazer — to talk Dancehall, Soca, and the art of building culture. At 01:34, Walshy recalls meeting @DJMoma and why Soca faced resistance in the ’80s–’90s. By 05:10, he’s breaking down the pushback against Soca and Afro Beats, and Soca’s joyful contrast to other genres. He dives into NYC’s gang culture and block party memories (07:10), including a near brawl at a LOX performance diffused by dancers (10:12). The crew swaps stories on “banned” songs in late ’90s NYC and venue violence, with jokes about the Queens vs. Brooklyn rivalry (11:33). Walshy shares his path from Clark University and a jazz radio station to NYC and Beat Street Records (14:55), then joining Black Chiney Sound after a career-making gig (28:45). He reflects on classic riddim productions, lessons from Sean Paul, and supporting both grassroots parties and major festivals (46:01). The crew debates the state of Dancehall today (53:55). They discuss the struggle to find venues for independent parties (1:01:00) and positive changes in club culture (1:02:25). At 1:05:33, Walshy recounts going viral for declining a request, leading to a larger talk on post-pandemic etiquette and handling entitled guests (1:13:50). He closes with his new book Art of Dancehall, life in Major Lazer, and upcoming releases (1:23:01).
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Related Post: R.O.A.D. Podcast – RASHAD SMITH (Pt 2) : Bad Boy’s First Hitman & Fallout With Biggie
Beatsource Has Just Changed EVERYTHING | Explaining The DJ Exclusives Program
Beatsource recently launched its DJ Exclusives program, which has been 20 years in the making. It’s built around an entirely new, never been done licensing model, and means that DJs can access the types of remixes and edits which have previously only been found on record pools, but in a way which ensures both the original rights holders and the DJs themselves get fairly compensated for their work.
On the new episode of Beatsource Tech, Mojaxx explains what the DJ Exclusives program is, and how it all works.
Check out DJ Exclusives here: https://www.beatsource.com/genre/dj-exclusives/11
Related Post: 📣 The Biggest Serato Update EVER! | Serato DJ Pro 4.0.0 Public Beta
R.O.A.D. Podcast – RASHAD SMITH (Pt 2) : Bad Boy’s First Hitman & Fallout With Biggie
n Part 2 of our deep dive with legendary producer @Rashad_Ringo_Smith, the @RoadPodcast crew uncovers even more behind-the-scenes stories that shaped the sound of hip-hop and R&B.Rashad kicks things off by breaking down the making of the iconic “One More Chance” and its different versions (00:01), before opening up about the intense, high-stakes creative process at Bad Boy Records under the direction of @Diddy (09:01). He reveals how the classic “Bad Boy” sound came together — especially the blend of vocal powerhouses @theRealFaithEvans and @theRealMaryJBlige, which helped redefine R&B (20:03).He shares the wild backstory behind LL Cool J’s “Doin It” — a track originally made for Biggie — and the behind-the-scenes fallout with Puff and B.I.G. when it landed elsewhere (27:21). The crew dives into LL’s catalog and legacy (50:34), before Rashad reflects on his creative connection with @QTipTheAbstract and his work with A Tribe Called Quest (54:22).Wrapping things up, Rashad talks about collaborating with @Nas and @50cent, and reflects on the moment that stands out most in his legendary career (1:30:01).
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Related Post: R.O.A.D. Podcast – Rashad Smith : The Mystery Beatmaker for Rakim and Uptown Records
R.O.A.D. Podcast – Rashad Smith : The Mystery Beatmaker for Rakim and Uptown Records
This week on @RoadPodcast, the crew sits down for Part 1 of an epic two-part conversation with legendary producer @Rashad_Ringo_Smith — the mastermind behind tracks for @TheNotoriousBIG, @BustaRhymes, @JayZ, @Beyonce, @TheGodRakim, and more. You may not know his name, but you definitely know his sound. Rashad kicks things off by reflecting on his early days as a DJ, his childhood nicknames, and the powerful influence his mother had on his musical journey (00:11). He shares his deep love for jazz and reveals how he flipped the same sample two different ways for Busta Rhymes’ “Woo Hah” and its remix featuring @OlDirtyBastardLegacy (08:55). He breaks down the art of crate digging with iconic producers, the origins of the “pause tape,” and how it became the foundation for early production before DAWs (18:01). Rashad dives deep into the making of “Woo Hah,” seeing the Hype Williams-directed video for the first time, and Spike Lee’s unexpected interest in using the track for Clockers (38:01). From crafting “Don’t Sweat the Technique” to the murky politics of credit in the industry (58:10), Rashad opens up about why he calls himself “The Muted Drum” — a nod to his role as one of the most “unknown, known” producers in hip-hop (1:11:04). He also shares stories from his time at Uptown Records, working with a young @Diddy, and the moment he invented the producer tag (1:31:01), before diving into the rise of Bad Boy Records and the complicated dynamics behind the scenes (1:55:01). The episode wraps with Rashad reflecting on the making of the classic Notorious B.I.G. track “One More Time” (2:10:33). Don’t miss Part 2, where Rashad speaks on more of his iconic tracks and tells unforgettable stories.
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Related Post: R.O.A.D. Podcast – JASON JANI : The Wedding DJ Who Built a Private Event Powerhouse
R.O.A.D. Podcast – JASON JANI : The Wedding DJ Who Built a Private Event Powerhouse
This week on @RoadPodcast, the crew chops it up with @JasonJani — DJ, entrepreneur, and founder of @SCEEventGroup — as he shares his journey from New Jersey club nights to redefining private events. Jason recalls how he got his start in 1995, spinning at local spots like Deco Lounge and DJing on the Shore (2:30, 14:30). He talks about learning from setbacks (24:53) and how skills from corporate America helped shape his DJ business (25:48, 27:55). He explains how he broke the mold of the “cheesy wedding DJ” by bringing a nightclub mindset to private events (28:14), using YouTube to market himself (33:20), and building performances that spoke for themselves (35:34). From being recruited for the Watch The Throne tour to getting business advice from Virgil Abloh, Jason shares wild stories from the celebrity circuit and tour life with Ariana Grande (53:25–1:04:03). He breaks down SCE’s revenue model and creative team culture (1:17:30), gives props to @NickSpinelli for going viral (1:25:00), and opens up about leading a business through serious financial challenges and the pandemic (1:45:30–2:12:58). The episode wraps with Jason’s thoughts on DJs limiting themselves and why SCE launched its conference to push the private event scene forward (2:16:44).
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Related Post: R.O.A.D. Podcast – BOBBITO: B-Ball, Hip-Hop & Sneakers -Where the Love Still Lives?
R.O.A.D. Podcast – BOBBITO: B-Ball, Hip-Hop & Sneakers -Where the Love Still Lives?
This week on @RoadPodcast, the crew sits down with the legendary @KoolBobbLove a.k.a. Bobbito Garcia — DJ, author, and cultural icon. At 00:55, Bobbito breaks down the inspiration behind his new book “Bobbito’s Book of B-Ball Bong Bong!”, touching on caregiving, basketball, and his writing process. He and @DJcrooked reminisce about growing up in the same building (11:45), and at (18:45), he shares his thoughts on Rap vs. Hip-Hop, giving today’s scene a “under 5” rating. At (22:55), he reflects on his lifelong love for Hip-Hop, sneakers, basketball, and DJing. He opens up about stepping back from performing live (37:55) and honors his father’s legacy and roots in Puerto Rican pro basketball (49:01). Crooked reflects on Bobbito always staying ahead of the curve (57:01) before Bobbito closes with the Road Podcast 10 at 1:05:01.
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Related Post: R.O.A.D. Podcast – Brad LeBeau: From the Early Days of Disco to a Record Promo Dynasty
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