Meta Glasses + DJing = The Ultimate POV?
It’s always a challenge to capture great video clips of yourself DJing, without the assistance of someone else. So on the new episode of Beatport Te...
This week on @RoadPodcast features an in-depth conversation with The @StereotypesTV (@JonYip + @JermBeats + @RayRomulus), charting their rise from interns and studio rats to Grammy-winning producers behind era-defining records.
Crooked opens by giving them their flowers as true DJ “life savers,” praising their ability to balance vibe, storytelling, and music that unites people in the middle (02:33), before Ray reflects on growing up in New York, interning at Bad Boy and Def Jam, and learning the industry from the ground up (05:23). They tell the full story of “Damage” by Danity Kane, from ballad to hit, including seeing it on Making The Band and hearing it play at Guitar Center while they were still broke (35:26).
The conversation moves into their relationship with Far East Movement and Bruno Mars, leading to a detailed breakdown of 24K Magic, Finesse, and the writing process behind records like “That’s What I Like” and “Chunky,” plus how adding Cardi B turned “Finesse” into a mega hit (44:30). They also touch on uncredited work, publishing lessons, career slowdowns, and behind-the-scenes realities, from studio grind to IRS stress and finally winning Grammys after years in the trenches (1:04:55).
The episode closes with optimism about new music, future collaborations, and why 2026 is shaping up to be a special year (1:34:01).
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It’s always a challenge to capture great video clips of yourself DJing, without the assistance of someone else. So on the new episode of Beatport Te...
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