The Road Podcast crew is in LA for the NAMM show and sits down with 1/2 of the duo #TheHouseConnection with @DJBadBoyBill, the Founder of the historic radio show @Powertools, LA-born and raised house/dance music legend, @RichardVission!

The episode kicks off with Richard breaking down the early LA dance scene, starting with The Dome and The Arena (01:57), and how his first techno group, The Movement, led him to DJ Bad Boy Bill (04:10). He shares the backstory of Florentine Gardens and the infamous heist (07:12), then talks about his live mixes on Power 106, where late-night recordings turned into a movement (11:20). Richard explains how The Casa became the foundation of LA house, the moment freestyle faded while house took over the city (13:10), and the era of 15 DJs a night that helped shape LA’s fast-paced quick-mixing style (16:01).

At just 16, Richard was already booking high school dances featuring The Cover Girls, World Class Wreckin’ Cru, and Eazy‑E—events that generated serious money and earned the nickname “High School Coachella” (19:55). He also explains how he got the name Richard Vission (30:10) and reflects on early LA house records, including “House Music” by Eddie Amador, and how The Dome helped bring artists like Louie Vega, Armand Van Helden, and David Morales to Los Angeles.

The episode later shifts to radio, where a single 30-minute mixtape landed him on Power 106 (46:10). Richard recalls how his mix aired by accident, the phones immediately blowing up, and the mantra he still lives by: “The harder you work, the luckier you get” (51:50).

Lastly, He closes by discussing creative freedom in radio and nightlife (58:55), his mixtape era with Bad Boy Bill and House Connection, and his first New York show alongside Erick Morillo (1:07:30).

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Related Post: R.O.A.D. Podcast – DJ ZIMMIE: Why DJs Need the ‘Level Up’ Conference?

This week on @RoadPodcast, the crew welcomes back returning guest @DJZimmie!

The crew discusses how having a camera operator during Club DJ Sets has now become mandatory, how that increases costs, and how it affects how much money a DJ can make (01:55). Crooked shares how @DJNugget saved him one night in Pittsburgh by taking a punch for him (05:01).

Zimmie breaks down what “Level Up For DJs” has to offer (13:40) and speaks on a moving moment involving @Shortkut at the #LevelUp4DJs 2025 conference (21:50). The crew also talks about how they manage their presence on social media as DJs (40:40), Crooked speaks on the beauty of collaboration, building community, and social media exhaustion (53:01).

The fellas reflect on their experience at NAMM 2026, as well as new @AlphaThetaUSA products being released this year (1:04:33). Optic asks Zimmie when Serato users will be able to have their library on a USB stick (1:18:01).

Finally, Zimmie explains how the YouTube series “Pioneers of Hip Hop DJs” came to fruition (1:31:01).

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Related Post: R.O.A.D. Podcast – THE STEREOTYPES: Crafting Hits For Bruno Mars and Justin Bieber

This week on @RoadPodcast features an in-depth conversation with The @StereotypesTV (@JonYip + @JermBeats + @RayRomulus), charting their rise from interns and studio rats to Grammy-winning producers behind era-defining records.

Crooked opens by giving them their flowers as true DJ “life savers,” praising their ability to balance vibe, storytelling, and music that unites people in the middle (02:33), before Ray reflects on growing up in New York, interning at Bad Boy and Def Jam, and learning the industry from the ground up (05:23). They tell the full story of “Damage” by Danity Kane, from ballad to hit, including seeing it on Making The Band and hearing it play at Guitar Center while they were still broke (35:26).

The conversation moves into their relationship with Far East Movement and Bruno Mars, leading to a detailed breakdown of 24K Magic, Finesse, and the writing process behind records like “That’s What I Like” and “Chunky,” plus how adding Cardi B turned “Finesse” into a mega hit (44:30). They also touch on uncredited work, publishing lessons, career slowdowns, and behind-the-scenes realities, from studio grind to IRS stress and finally winning Grammys after years in the trenches (1:04:55).

The episode closes with optimism about new music, future collaborations, and why 2026 is shaping up to be a special year (1:34:01).

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Related Post: R.O.A.D. Podcast – HICKIES + DRYHUMPS: A SoCal Party That Became a Filipino Movement ft. Esentrik

This episode of Road Podcast features @JulzDelaPena and @Esentrik breaking down how real DJ careers evolve, from Julz getting into weddings and understanding presentation (02:05). The conversation touches on the reality of DJ promo culture, online bravado, and mentorship (07:03).

The crew then speaks on DJ friendships, leaving retail to focus on parties, and changing economics (10:10). Julz revisits the roots of @HickiesAndDryhumps, why the party originally felt like a house party, and how moments like @MilesMedina and @JustBlaze pulling up after the Goldie Awards shaped its growth (25:07), before diving into Filipino classics and the quiet influence of Filipino DJs in nightlife (29:01).

The crew then talks about San Diego’s venues, DJ unity, and why the city’s crowds feel more receptive and fun than Hollywood (47:59). Esentrik explains his showcase style of DJing and crowd reading (57:01).

The episode closes with viral Seafood City DJ pop-ups (1:15:01), shrinking DJ rates, and promotion strategies (1:25:01).

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Related Post: R.O.A.D. Podcast – DJ SNIPS, KARL BRISSEAUX, SVPPLY & MOOCHIE: How Vinyl DJs Redefined NYC Nightlife

This week on @RoadPodcast, the crew sits down with @Moochie, @DJSvpply, @Snipsmusic, and @KBrissy to talk about @RecordRoom and vinyl parties.

The episode begins with Crooked reflecting on his first time attending Record Room and what immediately stood out (03:20), before the crew breaks down why vinyl sets earn more trust from audiences, from the visual curiosity of watching a DJ work to the difference between a DJ and a vinyl selector mindset (12:40). They explore why letting songs play longer works better in today’s shortened attention economy , the origins of Record Room and NYC’s Sway era, and the early days of Suede, including the choice to identify as vinyl DJs in 2025 (18:50).

The conversation dives into why R&B sounds so good on vinyl, the importance of bridges, nuance, and letting records breathe, even at prime time (32:30). From there, the crew talks about party arcs, creative limitations, building crowds that trust DJs enough to book weeks ahead, and competing with couches instead of clubs (53:40).

The episode closes with reflections on NYC nightlife legacy (1:03:10), curating an authentic New York experience (1:13:01), the cost of vinyl (1:21:05), rocking parties without obvious hits, and the personal relationships DJs have with their records (2:02:01).

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Related Post: R.O.A.D. Podcast – BUCKWILD: On Producing for Biggie, D.I.T.C., and Shaping the NY Sound