Despite getting his start by throwing underground parties in the 1980s, Ultra Music Founder and President Patrick Moxey has always wanted to make the genre as popular as possible.
In 2013, the 49-year-old got closer to that goal when Ultra merged with Sony Music. Since then, Ultra has scored hits like Felix Jaehn’s remix of OMI’s “Cheerleader,” Robin Schulz’s remix of Mr. Probz’s “Waves,” and Chris Brown and Deorro’s “Five More Hours.” Ultra also won a heated bidding war for Kygo, the leading figure of the tropical house movement.
Billboard recently spoke with Moxey about his beginnings, Ultra’s crossover success, and the challenges that dance music faces.
On his background in hip-hop:
“I was working for Russell Simmons and that led to my first label, Payday Records, a hip-hop label through PolyGram. I signed Jeru the Damaja and managed [MC] Guru and DJ Premier from Gang Starr at the time. I was really getting a window into that scene — I was in the studio with Notorious B.I.G. when Premier was doing records with him; I met Tupac. But I also loved dance music, so I went to my boss and said, ‘Look, I think dance music is really on the way up.'”
On tropical house going mainstream:
“I remember when Britney Spears [her 2011 hit ‘Hold It Against Me’] did a dubstep bridge — that was a moment where dubstep went overground. I felt the same when I heard Justin Bieber’s ‘What Do You Mean?’ with the tropical flavors. But I guess that’s just a tribute to the quality. The mainstream has to incorporate it to be relevant.”
On dance music being single-driven:
“At first there was a certain amount of skepticism [at Sony] to working singles-driven dance acts — it was like, ‘Well, where’s the album?’ — but to some extent dance music is the closest thing to the 1950s, where you have the excitement of people buying singles. You can have a huge dance single every week — why not be the best at that?”
On the challenges that dance music faces:
“Everyone is making it — anyone with a laptop can make it. There’s no barrier to entry like there used to be, like paying $1,000 to go into a studio. The challenge is going to be reinvention, and reinvention requires musicality. That’s why I think the DJ culture peaked in 2013, and now we’ve moved to electronic artists, where you’ve got to be a real artist, from your live show to playing instruments. There’s no room for somebody to get up and just play a couple of records anymore. Think about how ahead of his time Moby was with his  Play album, with all those deep Southern chants. That’s the type of innovation that will help build artists at this point, and that’s the kind of musical curiosity that dance music artists need to keep growing.”
Related: Billboard’s Top 30 EDM Power Players
“Drop mixing” is a common alternative to beat matching, yet many beginners are unfamiliar or confused by the technique. Thankfully, the Beat Refinery DJ school has released a video tutorial that explains how to do it.
Watch above as Red Bull Thre3style competitor DJ Trayze demonstrates how to mix tracks with different BPM without ever changing the pitch.
Related: Effective Scratching for Mixing Into Songs
With his debut album Free TC about a month away, Ty Dolla $ign stopped by DJ Whoo Kid’s The Whoolywood Shuffle show on Shade 45 to catch up. The Los Angeles rapper discussed a wide range of topics, including the Illuminati rumors about him, Wiz Khalifa’s arrest, what it’s like working with Diplo, and more.
Related: Major Lazer’s ‘Lean On’ Remixed by Ty Dolla $ign
Los Angeles party rocker and turntablist DJ Zo is back with a third installment of his Zomanno Friday Sessions series. In this episode, Zo puts down a variety of 70/140 BPM hip-hop, showing off his turntablism skills in the process.
If you’re in Los Angeles, you can catch Zo at The Line Hotel and Soho House, where he currently holds residencies.
Related: Watch DJ Zo’s Hip-Hop Set for ‘Spam N Eggs’
In-demand hip-hop producer Metro Boomin has shared some drum programming tips in a video from Razer Music, a new resource for music producers.
The 22-year-old is best known for producing for rappers like Future, Travi$ Scott, iLoveMakonnen, Rich Homie Quan, and Rick Ross. Most recently, Metro crafted the majority of Drake and Future’s number one album, What a Time to Be Alive.
Watch Metro’s five-minute tutorial below, which is the first in a multi-part series.
Related: Future and Drake Drop ‘Where Ya At’ Video
Before winning the 2015 DMC World DJ Championship last week, Canada’s Vekked had to make it through the Canadian national championship in Toronto. Watch his impressive routine for the nationals above, which comes to us courtesy of Manifesto TV.
Related: Vekked Wins 2015 DMC World DJ Championship
(Source: Ollie Des) DJcity Singapore team member Ollie Des has served up an energetic and rhythmic mix for the DJcity Podcast. His half-hour set featu...
DJ RayRock. (Source: Instagram) The reemergence of nightlife and club culture after the first wave of COVID-19 is starting to occur slowly but surely...
New tracks that DJs should know about.
DJ IKU, the 2010 Red Bull 3Style Japan champion, shines a spotlight on the Japanese hip-hop scene on the latest installment of GENRE BNDR's CH419. I...
New tracks that DJs should know about.
(Source: Serato) The latest update to Serato DJ Pro has arrived and includes support for the Pioneer DJ DJM-V10 mixer. With Serato DJ Pro 2.3.7 and a...
Producer 808 Melo recently sat down with Genius for a behind-the-scenes look at the making of Pop Smoke's "Dior." The slow-burning "Brooklyn drill"-...
After taking a first look at the controller back in January, Mojaxx is back with a full review of the Denon DJ PRIME GO. The standalone device allows D...
Pharrell Check out this week’s edition of Beatsource’s TBT Hits list: Pharrell ft. Jay-Z - Frontin' (Club Mix) A feel-good summer record from th...
J Balvin, Dua Lipa, Bad Bunny, and Tainy have dropped "Un Dia (One Day)," a breezy reggaeton collaboration. The quartet have five top 10 Billboard Hot...