This week on @RoadPodcast, the crew sits down with @DJTrauma to reflect on his journey from New York to Atlanta and beyond. At (00:55), Trauma recalls growing up in Manhattan and how his DJ name came from a friend’s little brother. By (04:30), he’s reminiscing about partying in the Meatpacking District and what it meant to be “outside.” He explains what it means to be a “vibe DJ” (07:15). He compares the craft of DJing to stand-up comedy (10:35). Trauma then shares how a free event unexpectedly led him to working with @DaveChappelle (12:52), and a relationship that grew into legendary gigs like First Avenue in Minneapolis and Radio City Music Hall in NYC (15:56). The conversation dives into Trauma’s reputation as “Chappelle’s DJ” (30:01), @PhifeForever performing at his 21st birthday, and the rise of Atlanta’s unified scene with @Outkast, @GoodieMob, and @JermaineDupri (34:40). He speaks on the epic Freaknik parties (45:55), the power of ATL DJs (1:03:40), and throwing LA house parties where @mr_Camron once performed in his living room (1:20:20). Trauma also reflects on early trips to Africa, how Chappelle’s Retreat and Summer Camp shaped his career (1:35:01), and why soulful events like Soul in the Horn keep him grounded in the music that matters.

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Related Post: R.O.A.D. Podcast – WALSHY FIRE: On Major Lazor, Black Chiney, & ‘The Art Of Dancehall’

This week on @RoadPodcast, the crew sits down with @WalshyFire — DJ, producer, and member of @MajorLazer — to talk Dancehall, Soca, and the art of building culture. At 01:34, Walshy recalls meeting @DJMoma and why Soca faced resistance in the ’80s–’90s. By 05:10, he’s breaking down the pushback against Soca and Afro Beats, and Soca’s joyful contrast to other genres. He dives into NYC’s gang culture and block party memories (07:10), including a near brawl at a LOX performance diffused by dancers (10:12). The crew swaps stories on “banned” songs in late ’90s NYC and venue violence, with jokes about the Queens vs. Brooklyn rivalry (11:33). Walshy shares his path from Clark University and a jazz radio station to NYC and Beat Street Records (14:55), then joining Black Chiney Sound after a career-making gig (28:45). He reflects on classic riddim productions, lessons from Sean Paul, and supporting both grassroots parties and major festivals (46:01). The crew debates the state of Dancehall today (53:55). They discuss the struggle to find venues for independent parties (1:01:00) and positive changes in club culture (1:02:25). At 1:05:33, Walshy recounts going viral for declining a request, leading to a larger talk on post-pandemic etiquette and handling entitled guests (1:13:50). He closes with his new book Art of Dancehall, life in Major Lazer, and upcoming releases (1:23:01).

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