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JDG performs at FriBays in Mornington, Australia.
In the past two years, Melbourne bounce has stormed into clubs like shoppers at Best Buy on Black Friday. Thanks to off-beat basslines, dirty Dutch-style melodies and bending synths, bounce has catapulted artists like Will Sparks, Joel Fletcher, Deorro, and TJR onto main stages at the world’s biggest festivals.
Australia is a hotbed for other innovative production styles, too, and one of them is just now emerging. Drawing from bounce and minimal house, the sound combines ’80s-style basslines with airy vocal leads that result in a unique dynamic of bass and treble. Midway through, ghostly drops give way to extended trance-style breakdowns, similar to progressive house.
Plenty of producers have expanded on bounce in the past, but there’s a consistency in this movement that separates it. Some people call the style “meltrance” or “kick-bass,” but we think it’s too early to justify a new genre name. One thing’s for sure though — it’s an evolution of bounce and something to definitely keep an eye on.
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This article was written by DJcity’s Australian correspondent, Matt GC.
Related: Ministry of Sound Australia’s Head of A&R Talks Local Success
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